Thursday, May 16

Star Trek: Into Darkness


"Earth will fall."
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

Rating: PG-13 Running Time: 2hr 3min
*There is no stinger after the credits
Video Release: October 2013
  
RottenTomatoes: 87% My Rating: 4/5




Critics note: I am not a historical Star Trek fan. I have never seen a full episode of any Star Trek series or any of the movies predating 2009. When I refer to the ‘first’ Star Trek, I mean Star Trek (2009). 

It is very rare when sequels can hold their own against the original. There are only a handful that are not only as good as the first, but even better. While Into Darkness doesn't succeed in surpassing the first, it certainly stands on its own as a quality scifi film. Some of my all time favorite scifi movies include Star Wars, Galaxy Quest, Alien, The Terminator, The Matrix, Back to the Future, Jurassic Park, and Predator
Lens flare is caused by light reacting to the camera lens
from an off-angle. If you've seen any Transformers movie,
you've seen plenty of lens flare. Abrams and Bay both have
degrees in LensFlare-ology.
All of these movies have a very defined universe, great writing and acting, and also push the limits of CGI--in the right way. If you haven’t heard me talk about the overuse of CGI in cinema today, feel free to see my Battleship review. J.J. Abrams penchant for lens flare notwithstanding, both of his Star Trek movies use just the right amount of visual effects and do not feel overdone. Oddly, I found The Great Gatsby to be more heavy-handed in the CG department than this scifi movie. The needless use and in some cases, the misuse of CGI is one on my biggest cinematic pet peeves. This is the reason that I fear I will not be able to stand World War Z. From the trailers, each person in the masses of mobs are CG. People are some of the most difficult things to create in a graphics system for a live action movie. 
Remember this? The Matrix: Revolutions
While this snapshot doesn't do this scene justice for the horrible rubberband-man that is Keanu Reeves, you can see how bad his robe looks. Anyway. Off on a rant. Where was I? Star Trek, right. Back to the review: 

Not having more than the most general knowledge of previous Star Trek stories, I went into this film a fairly blank slate. I avoided the spoilers that have leaked in previous weeks, so I was just as surprised as I assume that Abrams wanted people to be when the audience finds out the secret. I hate to speak for directors, but as Abrams is not currently relaxing on my couch and available for questions, I pull my assumptions from interviews I've read. Abrams is not a Star Trek fan. Therefore, he didn't feel any obligation to make this film for Star Trek fans, because that would be disingenuous. What he did do was consult with the producers who are Star Trek fans--Roberto Orci (Xena, Alias, Fringe), Damon Lindelof (Crossing Jordan, Lost, Prometheus), Alex Kurtzman (Alias, The Proposal, Transformers)--to link this movie to the Star Trek canon to honor it, not ignore it, and still build their own movie. Like him, a non-Trekkie, I think he absolutely succeeded in that respect. I found Into Darkness to be a very complete, well thought, and engaging scifi movie that I will most certainly add to my ever expanding collection. 
After finding out some precious details from certain Star Trek fans—see below—and my own research, I can see how some people might feel the second half of the movie is a bit of a cop-out. I have certainly been in theaters and been bitterly disappointed by what happens on screen compared to its predecessors or a beloved TV show or book (Batman and Robin, X-Men Origins: Wolverine, Bewitched, X-Files 2, anyone?). If you’re a Trekkie, I imagine you've already seen the movie. If by some strange twist of fate you haven't, I do strongly suggest it. Even if you end up deciding you much prefer a certain original movie from a few decades ago, you still need to see it. If you have never seen a Star Trek movie, I strongly suggest jumping on the J.J. bandwagon. These two movies aren't just good scifi movies, they are just good movies. Period. And there will likely be more coming (though maybe not with Abrams, as he's slated to be burdened with the new Star Wars movies until 2016... good luck to him). Have fun at the movies this weekend, Happy Watching! 

Some thoughts from Mike & Holly, two self-proclaimed Trekkies with some very distinct opinions. Enjoy, but beware, there ARE spoilers below, so I've whited-out that text. To read, simply click and drag with your mouse and the text will appear in the highlighted section. 


Mike: As a lifelong Trekkie  I'm used to disappointment. After being subjected to travesties like Star Trek: Nemesis and the blandness of spin-offs like Voyager and Enterprise, I wasn't expecting much from J.J. Abrams' reboot. However, after seeing his 2009 film, I found that he really captured the emotional core of Star Trek, even if the plot seemed a little rushed, contrived, and somewhat lacking in believability, even by Star Trek standards. After this, I was very excited about Into Darkness, as I thought it would give the new crew a chance to grow and finally explore the strange new worlds that Star Trek's all about. Well, in that respect, I have to say that I was somewhat disappointed. The first half of the film was very promising, and the interaction between the characters I knew and loved seemed spot on. The acting, especially from the villain  Benedict Cumberbatch, was superb. However, the predictable rebooting of another Star Trek character and plot (I won't give details to avoid spoilers), immediately deflated me. So much promise was swept under the rug, replaced by a "homage" (rehashing) that just didn't ring true, in my opinion. They took the easy way out. The film was beautifully shot, the actors were great, and the dialog was wonderful, at least until the third act of the film. I think the writers just got lazy and thought the Trekkies would appreciate the familiar. Bad idea. What could have been an amazing, thrilling adventure got spoiled by boldly going where several films have already gone. I just hope that Abrams' third trek into the Enterprise's five year mission will finally yield some original ideas. 


Holly: This one is impossible to review objectively, as I have been subjected to the canon which this movie is *sort of* based on. I will save any spoilers for the end so you can stop reading if you want. It was a wild ride. I appreciated the actors, just as good as they were in the first. The dialogue was a good balance of witty and campy in that ST sort of way. Way overdone on the CGI in my opinion, but you can't see a modern Hollywood space based movie anymore without it. And...here comes the critical part:**SPOILERS**
If you've seen TOS Space Seed episode and/or the second original movie Wrath of Khan, I think you will feel let down by this movie. Wrath of Khan was based on canon which originated in Space Seed. It was great. Khan hated Kirk, for good reason... also because he was totally an evil egomaniac. Spock sacrificed the good of the one for the good of the many, like a good Vulcan would do and died a poignant and meaningful death. Star Trek fans were ready for a new story, to go somewhere they have not gone before...sadly, Abrams was unable to deliver. He ripped off the villain from Khan but was unable to provide the backup plot to give it the strength of the first telling. Unoriginal, disappointing; although the writing was good in terms of dialogue and suspense, the plot sucked once you realized John Harrison was Khan in their alternate butterfly effect timeline. This seems not to bother those who are unfamiliar with the older story line, who can enjoy it for the scifi action wild ride on the big screen, but for old fans I think they were expecting more.

Friday, May 10

The Great Gatsby



Nick Carraway comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband. Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy.

Rating: PG-13 Running Time: 2hr 23min
*There is no stinger after the credits
Video Release: September 2013
  
RottenTomatoes: 50% My Rating: 2.75/5



A little honesty to start us off. I 'read' this book in my honors English class in high school. Meaning that I skimmed it, read the Cliff and Spark notes, and watched parts of the Robert Redford 1974 movie. I don't remember a thing about the story, but I do remember getting a great grade on the paper I had to write. Bullshit with confidence was our motto in that class. I tell you this to explain that I had no expectations for the movie--not for the characters or the story itself. I was excited that Baz Luhrmann wrote and directed the movie because Australia is one of my favorite movies. Thought I’d say Romeo + Juliet or Moulin Rouge? I really like Australia due to the fact that it is beautiful without being glitzy (like Moulin Rouge) and romantic without being mushy (like Romeo + Juliet). However, The Great Gatsby is definitely too far on the glitzy, mushy side for me. 
Doesn't he look like Jack? And it's not because it's Leo,
people. I never thought of Jack during The Departed,
Inception
, or certainly Django Unchained.
I have mentioned my dislike for the overuse of computer graphics before, so I won't get on my soap box for this one--I will simply say that the first 15 minutes of the film had so much unnecessary  CGI that I found it distracting. I found myself thinking, "This is silly. They didn't have to do that." The rest of the movie is stunningly beautiful. The party scenes are so bright and lively and even the still shots of Carey and Leo are gorgeous. I also kept thinking when Gatsby wasn't wearing a suit jacket, he looked a little too much like Jack. I kept expecting him to drift off into the ocean. The overall plot is interesting, but I felt like there was something missing from Daisy's point of view. In this movie, I couldn't like her. Who does she love? Who will she choose? Why will she choose him? Regardless of how the story ends, these questions are still not answered. It makes it feel as if Gatsby is all alone throughout the story because you never get what’s going on in her mind, whatever that may be. 
I am on the fence of whether or not to recommend a theatrical viewing for this movie. I don't feel as though the story warrants a $9-$11 ticket, but the music and party scenes make a great case for it. I would say that if you enjoyed Moulin Rouge, Romeo + Juliet, and you don’t have a big screen TV at home, you will probably really appreciate seeing this movie in the theater. However, if you do have a 42” HDTV at home, just wait to rent the Blu Ray.

Peer Panel
Chelsea: "It was good. I really loved the party scenes, and the music was great. It is so cool to watch a movie set in the 20s and then hear a Jay Z song. The second half of the movie was really long, though. Especially after the first half went so fast with all the parties."

Sunday, March 24

Peer Panel Profiles

A new feature to Film Fever! The Peer Panel.

Included in the Peer Panel are several of my friends that want to share their thoughts on movies I review. When available, I will insert their thoughts at the end of my review to give you a more diverse array of opinions. Rest assured, my friends are very eclectic when it comes to movie tastes. So, without any further adieu, meet the Film Fever Peer Panel:

Chelsea: All about romcoms and dramas. Not too into violence and steers clear of horror and SciFi--not really her thing, but toss in a good chick flick or teary drama, and she's fixated.
Fave Film: Blue Crush

Kristen: Generally loves it all. Quality animated movies and goofy comedies have to be a favorite though.
Fave Film: Clueless

JR: Action, gore, etc. But he can be persuaded into going to a chick flick. And... he'll do anything to see a dance movie. No matter the film, he just has to finish it. Once a movie starts, there's no going back.
Fave Film: Gone in Sixty Seconds (2000)

Amy: Bring on the Disney, musicals, and romcoms. Amy loves all the traditional girl-type movies. But, she prefers the theater--so beware of her harsh tongue when it comes to movie musicals!
Fave Film:

Diana: Has an appreciation for almost any genre. Always game for SciFi or fantasy flicks, comic book movies and anything with Riff Trax.
Fave Film:

Nina: Knows a bit about almost any genre, but horror flicks are her guilty pleasure. Blood, guts, and gore don't scare her away. But the movie better deliver, or you'll hear about it.
Fave Film:

Ryta: Usually up for for anything. Drama, romance, action, horror--bring it on! Unless there are subtitles. She's not going to waste her time 'reading' a movie.
Fave Film: The Lord of the Rings Trilogy

Mike: Loves anything thought-provoking, mind-bending, or guffaw-inducing. Science fiction or anything involving magical realism (e.g. Being John Malkovich) is his cup of tea. The quirkier the better.
Fave film: a tie between Star Wars and Eternal Sunshine of the Spotless Mind

Holly: Likes dark dramas, sci-fi/horror, foreign films, and is in to some cult classics. Want her opinion on the latest Hollywood glitz? Look elsewhere, unless she saw it for sociability's sake.
Fave Film: a tie between The Princess Bride and The Castle

Carrie: Romcom supersensual films are her taste. The more sex, the better. And it better have a satisfying ending, or she'll say the whole 2 hours were wasted.
Fave Film:

Adrienne: Horror! Haha. Jk. She hates horror. She watched Zombieland under duress between her fingers. Favors movies that lighten the mood--give her a comedy any day.
Fave Film: The Replacements

Friday, March 22

Admission


Straight-laced Princeton University admissions officer Portia Nathan is caught off-guard when she makes a recruiting visit to an alternative high school overseen by the free-wheeling John Pressman. Pressman has surmised that a gifted yet very unconventional student, might be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted--but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.

Rating: PG-13 Running Time: 1hr 47min
*There is no stinger after the credits
Estimated Video Release: July 2013

RottenTomatoes: 44% My Rating: 3/5

"Let someone in."

Admission is the kind of movie that you're not quite sure what to think about it when it's over. Was it a happy movie? Mostly. Was it sad? A bit. Was it over the top? Not really. I liken it to Dan in Real Life with Steve Carrell. It feels like real world comedy. The things in this movie could actually happen. Some comedy, some heartache, all truth. The hard part about that is... real life isn't always as fun or funny as we might like it to be. I think I would've chosen a different ending, but I don't think that would've made for a better movie. Admission is generally light-hearted and fun--a chick flick that you can drag your man to without hearing too much whining about it. It's a very solid film. I think most of the expectations of the movie have hindered it with critics and probably many audiences. This isn't Saturday Night Live. It's not Mean Girls. Or 30 Rock. Any preconceived notions you have about Tina Fey should be left at the theater door. Give it a chance and don't judge based on any 'Admission' essay you've read about this film--including this one. 

Now, time for the very first Peer Panel, featuring Chelsea & Adrienne!

Chelsea: "I liked it. I especially enjoyed the soundtrack. This is the first time I've seen Tina Fey in a semi serious role, and it suits her. I also appreciated the layers of genres this movie brings to the table."
Adrienne: "I also liked it. I laughed, I cried. Although I didn't relate to the characters as much as I would've liked, it is still fun. No Oscar winner, but still fun."

There you go! Happy watching, everyone! 

Friday, March 15

The Call



When veteran 911 operator, Jordan, takes a life-altering call from a teenage girl who has just been abducted, she realizes that she must confront a killer from her past in order to save the girl's life.


Rating: R Running Time: 1hr 35min
*There is no stinger after the credits
Estimated Video Release: July 2013

RottenTomatoes: 40% My Rating: 2/5

"There are 188 million 911 calls a year. This one made it personal."




The Call is a movie that begins very promising. A 911 dispatcher takes a call from a kidnapping victim who is trapped in the trunk of a car. From how the first 45min-1hr goes, they could have kept the girl in the trunk and maintained the suspense and believability.  I was totally drawn in. It feels claustrophobic and intense--remember Phonebooth (2003, RT 71%)? The Call had that kind of potential. Instead, the movie devolves into the stereotypical Hollywood climax reminiscent of the old slasher film stand by of the young pretty girl running up the stairs instead of out the front door--and the audience is left asking "Why the hell did she trap herself upstairs?" If they really felt it necessary to stop the 911 call and have our protagonist go off on a detective hunt, they could have constructed a more grounded happenstance by which our heroine(s) could have the chance to save the day, but noooo... they have to pander to what they think the audience wants to see. Very disappointing. But, its not a bad movie. Like I said, the movie begins very promising and it is suspenseful, scary, and also informative... if one ever gets trapped in a trunk.